img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

President’s Medals 2013: Grunewald’s Athenaeum

The President’s Medals have been rewarding the best student ideas and drawings since 1836. This year those projects spanned from the archaeology of the future to the social effect of a socialist city and a civic centre for an island community, with intelligent design development and many beautiful drawings along the way. Of 81 schools that entered, this year saw one, the Bartlett, sweep the board with the excellence of its students’ submissions.

 


Serjeant award Part 1

Grunewald’s Athenaeum
Razna Begum

University of Greenwich
Tutor: Pascal Bronner


 

Follies rising up through the trees in the forest sanctuary.
Follies rising up through the trees in the forest sanctuary.

The project is set 250 years into the future, a time when books have become virtually ­obsolete. The digital age has deemed the paper book unnecessary and the art of paper-making is lost with it. An excavation has taken place at a site in the Grunewald forest, where the Berlin British School previously existed. A book was first discovered there by Wilhelm, a descendant of the famous folklorist Franz Xaver Schönwerth, a collector of fairy tales contemporary of the Grimm Brothers.

Each of the excavated books was found sealed in a plastic bag, some of which had been severely damaged. As Wilhelm endeavours to salvage and preserve the remaining books, a monumental scheme develops to restore the printing and archiving of paper books in a ­library. It glorifies the lost art of paper-­making and is a hub for lost books of the past and present. 

The base landscape constitutes the heavy structures – paper marsh, bridge, altar (for the first excavated book), the entrance gate and stairs, as well as the library and paper-­making workshop. In the workshop, visitors can collect pulp from the paper marsh, make the ­paper and then hang it to dry. The paper marsh surrounds the landscape echoing the nearby lake. The infinite fragile and tensile canopy disappears into the sky above.

The first discovered forgotten book enshrined in the Grunewald Forest.
The first discovered forgotten book enshrined in the Grunewald Forest.

Part 1 Judges

Roz Barr, founder of Roz Barr Architects 
Peter Böhm, founder Peter Böhm Architekten studio
Satwinder Samra, senior lecturer, University of Sheffield 
David Gloster, RIBA Director of Education
Vidhya Pushpanathan, 2012 Bronze Medal winner, Wilkinson Eyre


COMENDATIONS

Myocardial Augmentation Facility, Orvieto, Italy
Thomas Bush

De Montfort University
Tutor: Christopher Jones

UNESCO World Heritage: A contemporary art museum for Santa Chiara in Pisa, Italy 
Minghui Ke

Kingston University
Tutors: Alfredo Caraballo; 
Karin Templin; Bruno Marcelino    

Gubbio Lido: Recovering open space within the walled city
Pierre Blanc

London Metropolitan University
Tutors: Freddie Phillipson; 
Lucy Pritchard
SOM Foundation Fellowship Part I


 

Latest

The debut project by craft-led architect Grafted celebrates the original detailing of a house in Norwich’s Golden Triangle through concrete panels which the practice cast itself

Grafted’s debut project celebrates the original detailing of a house in Norwich’s Golden Triangle

Building-scale installation validates use of reclaimed timber for structural glulam and cross-laminated timber frame construction

Building-scale installation from waste points way to circular economy

Rescue and restore a William Adam-designed villa, create an outdoor installation ‘filled with play, wonder and delight’, imagine a multifunctional exclusive/inclusive complex that serves client and community - some of the latest architecture contracts and competitions from across the industry

Latest: Bid for phase 1 rescue of Scotland’s first Palladian country house

A journey to Turkey for a summer wedding prompts the Purcell architect to consider aspects of place and time

Joining the dots to make sense of disruption

Emulating the patterns of natural light and our deeply embedded responses to it are central to lighting design, said experts at the RIBAJ/Occhio lighting event

Light and atmosphere are the key to making a magical place