img(height="1" width="1" style="display:none" src="https://www.facebook.com/tr?id=2939831959404383&ev=PageView&noscript=1")

Runner-up Moxon Architects

The natural feel of wood grain patterns

Shale pattern visualised in use.
Shale pattern visualised in use.

Moxon Architects took as its starting point the natural feel of wood grain patterns in the Amtico collection and their potential for both subtle colour gradation and contrast. After selecting a number of products, the team explored various combinations in relation to the linear quality of natural landscape formations such as sedimentary striations.

‘Derived from characteristic visual qualities of extreme landscapes – canyon, desert, cliff, glacier, dune and crevasse – the collection conveys a sense of pressure and formal development over time,’ according to the Moxon presentation boards.

Moxon’s three final designs make use of several wood designs, which the designers also felt expressed the linearity they were looking for. The lightest of these, Shale, uses the Arrow laying pattern and combines four grained designs in a pattern of parallelograms with a heavier reddish grain providing the accent notes. This soft, warm design is envisaged for residential or lobby use.

  • Moxon’s Ezra Groskin and Sarah Emilie Vallee.
    Moxon’s Ezra Groskin and Sarah Emilie Vallee.
  • Shale: Arrow laying pattern with White Wash Wood, Limed Grey Wood, Lime Washed Wood and Parisian Pine.
    Shale: Arrow laying pattern with White Wash Wood, Limed Grey Wood, Lime Washed Wood and Parisian Pine.
  • Vein: Pleat laying pattern with Galleon Oak, Cirrus Twilight, Parisian Pine, Shibori Lapsang and Metal Gold Leaf.
    Vein: Pleat laying pattern with Galleon Oak, Cirrus Twilight, Parisian Pine, Shibori Lapsang and Metal Gold Leaf.
  • Aggregate: Kite laying pattern with Cirrus Twilight, Quill Gesso and Metal Gold Leaf.
    Aggregate: Kite laying pattern with Cirrus Twilight, Quill Gesso and Metal Gold Leaf.
1234

The other two designs are bolder, with both using a gold accent to contrast with darker woods. Vein uses the Pleat laying pattern to generate a broken zig-zag design and is imagined for retail use.

‘We wanted something a bit jazzy and funky,’ says Moxon architectural assistant Sarah Emilie Vallee. 

Aggregate uses the Kite laying pattern which features interlocking rows of kite shapes with a border of narrow parallelograms. Moxon originally envisaged this in darker colours for a formal dining room or gallery setting.

 

Return to the home page

Latest

The debut project by craft-led architect Grafted celebrates the original detailing of a house in Norwich’s Golden Triangle through concrete panels which the practice cast itself

Grafted’s debut project celebrates the original detailing of a house in Norwich’s Golden Triangle

Building-scale installation validates use of reclaimed timber for structural glulam and cross-laminated timber frame construction

Building-scale installation from waste points way to circular economy

Rescue and restore a William Adam-designed villa, create an outdoor installation ‘filled with play, wonder and delight’, imagine a multifunctional exclusive/inclusive complex that serves client and community - some of the latest architecture contracts and competitions from across the industry

Latest: Bid for phase 1 rescue of Scotland’s first Palladian country house

A journey to Turkey for a summer wedding prompts the Purcell architect to consider aspects of place and time

Joining the dots to make sense of disruption

Emulating the patterns of natural light and our deeply embedded responses to it are central to lighting design, said experts at the RIBAJ/Occhio lighting event

Light and atmosphere are the key to making a magical place